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Time and movement become more concretely visible in the images developed through the observation of dance performers. While the “object” moves to slow music, Peter Gospodinov draws a "snap-shot" of the movements in charcoal. By leaving out certain sequences, we are sketchily led to a later movement. Time and movement concentrate and become dense, the body itself becomes movement and later a painterly implementation. Here the artist works with the processual, attempts to capture movement in the medium, but also the gaps and exclusions between the movements.

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